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The Hobbit Film Trilogy – Watch Order & An Honest Reassessment

Patrick W.

Our series hub for Peter Jackson's Hobbit trilogy: watch order, the Extended Editions, and an honest, expectations-adjusted review of all three films.

Bilbo Baggins and the company of dwarves on the road in The Hobbit film trilogy

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Big Shoes, Bigger Expectations

Let’s be honest about the context, because it’s impossible to review The Hobbit without it. When these films were announced, the footprints they were stepping into were enormous. Lord of the Rings hadn’t just been good — it had been a generational event. Add the breathless marketing around the new 48-frames-per-second high-frame-rate technology, and the hope was for something genuinely huge. A return to the world we loved, pushed even further.

What we got never quite reached those heights. Visually and narratively, it wasn’t the leap forward we’d been promised. Some of that is the expectations talking — almost nothing could have cleared that bar — but a lot of it is baked into the films themselves. This is the central tension of the whole trilogy, and it’s why our rating sits at a respectable-but-not-glowing 6.

This hub covers all three films, reviewed individually below. First, the elephant in the room.

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Series Content

Explore all articles, reviews, and guides in this series.

Bilbo Baggins and the company of dwarves setting out from Bag End in An Unexpected Journey

The Hobbit: An Unexpected Journey Review - An Honest 6/10

6 / 10
Released:

The first chapter of Peter Jackson's Hobbit trilogy had the heaviest expectations in modern blockbuster cinema to live up to — and never quite managed it. An Unexpected Journey has real charm, a perfect Bilbo, and the all-time-great Riddles in the Dark scene, but it stretches a slim children's book thin. Our honest 6/10 review.

Smaug the dragon emerging from a sea of gold inside the Lonely Mountain in The Desolation of Smaug

The Hobbit: The Desolation of Smaug Review - Honest 6/10

6 / 10
Released:

The middle chapter of the Hobbit trilogy delivers its single best asset — Smaug, a genuinely magnificent dragon — alongside its worst habits: invented romances, weightless barrel-chase action, and a story stretched far past its natural length. Our honest 6/10 review weighs the spectacle against the sprawl.

Armies massing before the Lonely Mountain in The Hobbit: The Battle of the Five Armies

The Battle of the Five Armies Review: A 6/10 Finale

6 / 10
Released:

The shortest and most action-saturated chapter of the Hobbit trilogy is essentially one feature-length battle. The Battle of the Five Armies opens with a spectacular Smaug sequence and closes Thorin's tragic arc with real weight, but the relentless CGI combat leaves it breathless. Our honest 6/10 review.

Disclaimer: This review and its visuals were created with the help of AI. Some links may be affiliate links – we may earn a commission if you make a purchase, at no extra cost to you.


One Book, Three Films

The Hobbit is a slim, breezy children’s adventure — one book you can read to your kids in a couple of weeks. Stretching it across three full-length blockbusters was the original sin. To fill the runtime, the films lean on invented subplots, a manufactured romance, and action sequences that outstay their welcome. The story is constantly being inflated past its natural shape, and you can feel the seams.

The great what-if is the two-film version. A tighter, leaner Hobbit — Bilbo, the dwarves, the dragon, the road there and back again, with the fat trimmed — could have been genuinely excellent. Maybe it would have worked; maybe the problems run deeper. But who knows? It’s the road not taken, and it haunts every overlong stretch of the trilogy we actually got.


What Still Works (And What Doesn’t)

It would be unfair to write these films off entirely, because the high points are real:

  • Smaug: The dragon is a genuine triumph — beautifully designed, brilliantly voiced, and the single best reason to watch the trilogy.
  • Riddles in the Dark: The Bilbo-and-Gollum scene is the equal of anything in the main trilogy. Perfectly staged, perfectly performed.
  • Martin Freeman: A pitch-perfect Bilbo. He’s the warm, human centre the films badly need whenever the CGI takes over.

The weaknesses are just as real: too much weightless digital action, a saggy middle, and a final film that’s essentially one long battle. It’s a trilogy of great moments stranded in films that don’t quite earn them.


How to Use This Hub

Below you’ll find our review for each film, in watch order: An Unexpected Journey, The Desolation of Smaug and The Battle of the Five Armies — all landing on a 6. Each review weighs the spectacle against the bloat and tells you which moments are worth your evening.

A personal note from Patrick: these were all watched on release, in cinemas, riding the wave of hype. A proper rewatch — years on, expectations reset — is on the to-do list, to see whether they play better without the weight of what they were “supposed” to be. We’ll update these reviews if they do.

For the trilogy that got it right, head to our The Lord of the Rings Film Trilogy hub.


The Hobbit Trilogy: The Dadnology Verdict

A flawed but watchable return to Middle-earth. If you love the world — and if you’re reading this, you do — there’s enough here to justify the trip, especially in the Extended Editions and especially for Smaug. Just go in with the expectations dialled down. Set against almost any other fantasy films, these are fine. Set against Lord of the Rings, they were always going to struggle.


All three films in the trilogy appear below, in watch order.

What order should I watch The Hobbit trilogy?

Watch them in release and story order: An Unexpected Journey first, then The Desolation of Smaug, then The Battle of the Five Armies. It is one continuous adventure from Bag End to the Lonely Mountain.

Should I watch The Hobbit before or after Lord of the Rings?

Chronologically The Hobbit comes first, set around 60 years before the War of the Ring. But we recommend watching Lord of the Rings first — it is the stronger trilogy, and The Hobbit plays much better as a return to a world you already love rather than an introduction to it.

Is The Hobbit trilogy as good as Lord of the Rings?

No — and it isn’t close. We rate Lord of the Rings a perfect 10 and The Hobbit a 6. The Hobbit is more bloated and far more reliant on CGI, though it has genuine high points: Smaug the dragon and the Riddles in the Dark scene rank among the best in the whole franchise.

Should The Hobbit have been two films instead of three?

Almost certainly. The source material is a single slim children’s book, and stretching it across three blockbusters meant padding, invented subplots and a manufactured romance. A tighter two-film cut is the great what-if of the saga.

Are The Hobbit films suitable for kids?

They are a touch lighter in tone than Lord of the Rings but still feature intense fantasy battle violence and a genuinely frightening dragon. Around 9 and up is a fair guide — the adventure framing makes them slightly more kid-friendly than the darker main trilogy.

Patrick W. Founder & Editor

Father of two, keen nature & landscape photographer, and smart-home tinkerer based in rural Germany. Camera gear gets tested outdoors in real conditions — not on a studio bench — and the house runs on a home network more elaborate than it strictly needs to be. Everything reviewed here has to survive real family life: school runs, sticky fingers, and the odd toddler stress-test. Reviews are based on hands-on use, not press samples or sponsored placements. How we test →

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